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This lends the game’s moral framework an epic grandeur. The landscape is encountered in the sublime mode, understood here through Edmund Burke and Immanuel Kant, in that it emphasizes an incomprehensible largeness and expanse. The landscape, which is made up of the human realm of Tamriel and the demonic realm of Oblivion, reflects a Manichean moral framework that is at the game’s heart. The landscape in Elder Scrolls IV: Oblivion is treated here as an expressive aspect of the game whose meaning transforms as it is explored. The Pastoral and the Sublime in Elder Scrolls IV: Oblivion by Paul Martin